Pas en 1958 ! Genres: Art Documentary, Essay Film. [4] Alter further writes that as the film asserts that colonialism is responsible for the "disenchantment and demystification" of African culture, Statues Also Die "illustrates the process whereby a religious fetish is transformed into a commodity fetish by Western civilization. Les statues meurent aussi est un court métrage documentaire français réalisé par Chris Marker, Alain Resnais et Ghislain Cloquet, sorti en 1953. Once statues die they become art".This film is about magic. During the last third of the film, the modern commercialisation of African culture is problematised. The biography of Dutch artist Van Gogh, illustrated only with images of his paintings and drawings, or details of those, and according dramatic musical score. Mais c’est aussi un film sur les ravages du colonialisme en Afrique et la lutte des classes. This was made in 1953 by three pretty successful filmmakers, namely Chris Marker, Alain Resnais and (not yet) Oscar winner Ghislain Cloquet. For if art created man as man created art, we are all, today, products of all the great cultures of yesterday.The domineering aspect of white supremacy is quite literally...killing us all.10 out of 10. The magic of creation enacted through the art of imagination.For those engaged in this act become like Gods.They show us that all things are connected to everything that have come before it, unlike in white colonial culture, where everything has become disconnected and at odds with one another. Losing their magic through the effect of commercialization and reproduction.External incursions have disconnected African people from their past, via the imposition of christian and islamic psychophants, who have taken their place...as their "new" ancestors.While their world becomes a mere reproduction of the one that has conquered it.And under such circumstances, the only "living art", becomes that of rebellion. Les Statues meurent aussi est un court-métrage réalisé par Ghislain Cloquet et Alain Resnais. Directed by: Alain Resnais, Chris Marker. 30min | Documentary, Short | 30 March 2014 (USA) A documentary of black art. Only occasionally does the film provide the geographical origin, time period or other contextual information about the objects. The film won the 1954 Prix Jean Vigo. A mention is made of how African currencies previously had been replaced by European. The film argues that colonial presence has compelled African art to lose much of its idiosyncratic expression, in order to appeal to Western consumers. "When men die they become history. Le film a été réalisé à la demande d'une revue d'intellectuels africains militants, Présence Africaine. Source évènement et illustration : Toulouse Métropole / Toulouse 16 janvier - 30 mai En quelques mots : Culture Description : Collection Daniel Cordier. [7], harvnb error: no target: CITEREFAlter2006 (. Source évènement : Toulouse Métropole / Toulouse - Illustration : Photo de la galerie Daniel Cordier 16 janvier - 30 mai En quelques mots : Culture Description : Collection Daniel Cordier. The images are frequently set to music and cut to the music's pace. She notes how the objects in Statues Also Die are shown almost as if they were alive: “Marker’s camera treats all subjects in front of its lens without differentiating between humans, statues, animals, landscapes, architecture, or signs. Both embarked on the adventure of the chief operator Ghislain Cloquet. Cette bota­nique de la mort, c’est ce que nous appe­lons la culture. … Because of its criticism of colonialism, the second half of the film was banned in France until the 1960s.[1][2]. Use the HTML below. Les statues meurent aussi La mémoire inscrite dans la statuaire et la toponymie urbaine n’est jamais le fruit du hasard : elle est le reflet de rapports de forces et, lorsqu’une statue tombe, c’est bel et bien le signe d’un basculement politique. Statues Also Die (French: Les statues meurent aussi) is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside. Poetic and aesthetic visit of a large polystyrene factory. Add the first question. Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria ... See full summary ». This documentary explores the Bibliothèque Nationale in Paris, its priceless treasures and how humanity remembers itself. At a young age, in 1953, together with Chris Marker and Ghislain Cloquet, he made the short documentary film Les statues meurent aussi (“Statues also die”), narrated by actor Jean Négroni. [7] Because of the sensitive subject, the sharp criticism of colonialism urged the French National Center of Cinematography to censor the second half of the film until 1963. French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America. Statues Also Die (French: Les statues meurent aussi) is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. [3] She notes how the objects in Statues Also Die are shown almost as if they were alive: "Marker's camera treats all subjects in front of its lens without differentiating between humans, statues, animals, landscapes, architecture, or signs. Want to share IMDb's rating on your own site? Les statues meurent aussi. 1 of 1 people found this review helpful. Il fut commandité par la revue Présence africaine. Les Statues meurent aussi (Alain Resnais, Chris Marker / France / 1953 / 29 min / DCP) Le Mystère de l'atelier 15 (Alain Resnais, André Heinrich / France / 1957 / 18 min / 35mm) Exposition Chris Marker, les 7 vies d'un cinéaste . View production, box office, & company info, The Africa Channel Presents In-Depth 6-Part Doc Series on "African Art" - Watch Episode 1, 2014 Ann Arbor Film Festival: Official Lineup, Sunday Shorts: ‘Les statues meurent aussi’, co-directed by Alain Resnais. However when the filmmakers started to do research, they were struck by the fact that African art was exhibited at the ethnological Musée de l'Homme, and not the Louvre like art from elsewhere. Keep track of everything you watch; tell your friends. Like millions all over the world, Pablo... See full summary ». Des nègres écrivaient des livres, des nègres fabriquaient des livres ! The narrator says in the opening sequence: “When men die, they become history. Les statues meurent aussi [8] In 1954 it received the Prix Jean Vigo. [6] Marker, who knew Resnais, offered to make the film together, because it would be more "fun and enjoyable". » Les Statues meurent aussi (1953) Les réa­li­sa­teurs ques­tionnent le manque de consi­dé­ra­tion pour l’art afri­cain dans un contexte de colo­ni­sa­tion. Get a sneak peek of the new version of this page. Les statues meurent aussi (sh. Malgré la censure, le film obtient en 1954 le prix Jean Vigo. He films her around Tokyo, as she speaks of Japan, being Japanese and her unique perspective on life. last show online via LYL 's website! In the final segment, the film comments on the position of black Africans themselves in contemporary Europe and North America. A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. This film is already almost 65 years old today and I … Starring: Jean Négroni. On April 26 1937 the small Basque town of Guernica was bombed without warning by the German aviation. The film exhibits a series of sculptures, masks and other traditional art from Sub-Saharan Africa. [7], The film first premiered in 1953. Le sujet des Statues meurent aussi, c’est la mise à nu des mécanismes d’oppression et d’acculturation, l’impossible dialogue culturel dans le contexte immanent de la colonisation, le développement d’un art de bazar parce que le Blanc est acheteur, l’idée qu’il n’y a pas de rupture entre la civilisation africaine et la civilisation occidentale. Rated the #26 best film of 1953, and #3319 in the greatest all-time movies (according to RYM users). Les statues meurent aussi Le 27 janvier 2012 par Alain Resnais, Chris Marker Les statues meurent aussi est un documentaire français réalisé par Chris Marker et Alain Resnais sorti en 1953. Les Statues meurent aussi, a film by Chris Marker & Alain Resnais. Quand les sta­tues sont mortes, elles entrent dans l’art. A witty examination of life and culture in Siberia. 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