feast at the house of simon

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232; 2nd ed., 1949, pl. View The Feast in the house of Simon the Pharisee After Paolo Veronese; oil on canvas; 73.3 x 139.6cm (28 7/8 x 54 15/16in); . The name Simon was one of the most common among the Jewish people. cat. Walter Nigg, Maler des Ewigen: Meditationen über religiöse Kunst (Zurich and Stuttgart: Artemis, 1951), 212–13. Get premium, high resolution news photos at Getty Images José Camón Aznar, Dominico Greco, vol. 65. 3. 2. (Boston: Museum of Fine Arts, 1939), 46–47 cat. He was one of the few Pharisees who had openly joined Christ's followers. (Paris: RMN Editions, 2019), 214–15 cat. (Chicago: Art Institute of Chicago, 1934), 13 cat. M[aurice] Legendre and A[lbert] Hartmann, Domenikos Theotokopoulos, Called El Greco (Paris: Hypérion, 1937), 171 (ill.). Bulletin Art Institute of Chicago 24 (1930): 24 (cover ill.). Parallel Gospels. Learn more about Feast at the House of Simon (detail) 2 Paolo Veronese (Caliari) - oil artwork, painted by one of the most celebrated masters in the history of art. 195; 3rd ed., 1954, pl. Learn more. 62, 62 pl. 5 (May 1930): 38. Rebecca J. 73; Art Institute of Chicago, El Greco: Ambition and Defiance, March 7–June 21, 2020, cat. Medium: Pen and brown ink over red chalk and gray wash, heightened with white gouache, on brown paper; squared in pen and brown ink. 30 [as Christ in the House of Simon]. Media: oil, canvas. He also produced a cycle of works for the monastery church (still in place), where he was later buried. He acknowledged Jesus as a teacher, and hoped that He might be the Messiah, but he had not accepted Him as a Saviour. Long, ed., El Greco: Ambition and Defiance, exh. (Chicago: Art Institute of Chicago, 1933), 27 cat. 2, p. 60, no. El Greco Exhibition. 2 (Paris: Les Editions G. Crès et. Dimensions: sheet: 8 3/8 x 18 11/16 in. Dimensions: 275 x 710 cm. Each Feast In The House Of Simon reproduction created by our expert artists is completely handmade in our own studio using the best materials available to ensure the durability and preservation quality of a true masterpiece. Media in category "Feast in the House of Simon by Paolo Veronese in Pinacoteca di Brera, Milan" The following 7 files are in this category, out of 7 total. cat. Philadelphia Museum of Art, Diamond Jubilee Exhibition: Masterpieces of Painting, November 4, 1950 – February 11, 1951, cat. 30 [as Christ in the House of Simon]. 437 (August 1939), 77. Provenance: Painted for the refectory of the Servites in Venice, circa 1570. Feast in the House of Simon the Pharisee, also known as Christ in the Home of Simon the Pharisee, is a painting by Peter Paul Rubens. Jesus was invited to a feast by a Pharisee whom Jesus had healed of leprosy named Simon. 182; vol. 2, 45, no. Paul Guinard El Greco: Biographical and Critical Study (New York: Skira, 1956), 44–45, 100 (ill.). John D. Morse, Old master paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York: Abbeville Press, 1979), 154. Loan Exhibition of Great Paintings in aid of Allies Merchant Seamen, exh. 2, pt. The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Jacques Lassaigne, El Greco, trans. Jesus proceeds to tell the Parable of the Two Debtors. Spanish ed., trans. 97. (Munich: Delphin Verlag, 1916), 27–28, pl. cat. Harold E. Wethey, El Greco and His School. Rubens was a Flemish Baroque painter. Accession Number: v001290 (Minaret) MC-3076. The Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago (Chicago: The Art Institute of Chicago, 1956), 29. To help improve this record, please email . August L. Mayer, El Greco: Mit 122 Abbildeungen (Berlin: Klinkardt & Biermann, 1931), 116–19, fig. Feast in the House of Simon the Pharisee, also known as Christ in the Home of Simon the Pharisee, is a painting by Peter Paul Rubens. Carlos Cid (Madrid, 1967) vol. William Morris Collection; Classifications PHOTOGRAPHS. Probably Guinea, Bilbao.4 Plasencia, Bilbao, before 1908 [according to Cossío 1908; this information cannot be verified, however]. Information about image downloads and licensing is available here. Date: 1567 - 1570. 161. José Álvarez Lopera, El Greco: La obra esencial (Madrid: Sílex, 1993), 293, no. cat. Bijutsukan, Kokuritsu Seiyō, ed. Find more prominent pieces of religious painting at Wikiart.org – best visual art database. ed., Madrid: Espasa-Calpe, 1970, vol. The Feast at Simon's House S IMON of Bethany was accounted a disciple of Jesus. The story he is interpreting in this painting is from Luke 7:36-50. Object information is a work in progress and may be updated as new research findings emerge. Frank Rutter, El Greco (1541–1614) (New York: E. Weyhe, 1930), 100, no. Ludwig Goldscheider, El Greco (London: Oxford University Press, 1938) pl. Feast in the House of Levi (left detail) By Paolo Veronese. The Feast in the House of Simon, 1570. Artist: LeBrun, Charles 1619-1690 (French) Title: Feast in the House of Simon. Richard G. Mann, “The Feast in the House of Simon, 1608/14,” in Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, ed. 72. Paolo Veronese (1528–1588), The Feast in the House of Simon the Pharisee (1570), oil on canvas, 454 x 974 cm, Château de Versailles, Versailles. F[rancisco] de B[orja de] San Román [y Fernández], “De la vida del Greco,” Archivo español de arte y arqueología 3 (1927): 298–99 n. 121-26. The Feast in the House of Simon the Pharisee is a c.1565 oil on canvas painting by Veronese, now in the Galleria Sabauda in Turin. (Tokyo: The National Museum of Western Art / The Tokyo Shimbun, 1986), 165 cat. It was painted c. 1618-1620, and is in The Hermitage Museum, St. Exh. 62. See Matthew 26:6-13; Mark 14:3-9; John 12:1-8. 2 (Madrid: Espada-Calpe, 1950), 900–02, 1360, no. ; Chicago, Art Institute Of Chicago. 2 (Paris: Presses universitaires de France, 1956), 328. 159b (ill.). Martha Wolff (Chicago: Art Institute of Chicago, 2008), 67-72, ill. José Álvarez Lopera, “El Problema Jorge Manuel,” in El Greco Arte y Oficio by Leticia Ruiz Gómez, editor, Museo de Santa Cruz, exh. Date ca. 172, pl. Access more artwork lots and estimated & realized auction prices on MutualArt. Seeman, 1966), 52–53, pl. 1419. Possibly in the artist’s possession at the time of his death, 1614 [three versions of this subject were recorded in the 1621 inventory of all the goods owned by El Greco’s son, Jorge Manuel Theotocopoulos, who was his father’s sole heir; however, no work of this subject appears in El Greco’s own estate inventory; see San Román 1927]; possibly by descent to his son, Jorge Manuel Theotocopoulos (d. 1631), Toledo [the 1621 inventory of Jorge Manuel’s possessions, transcribed in San Román 1927, includes entries for three versions of this subject, listed as items 123–25].. Catalogue of a Century of Progress Exhibition of Paintings and Sculpture 1934, exh. Simon is called “the leper,” perhaps being a former leper whom Jesus had at some point healed. —Of the man so described we know nothing beyond the fact thus mentioned. cat. (Chicago: Art Institute of Chicago, 2020), 166–67 cat. 73, 235. Leningrad (St. Petersburg), State Hermitage Museum, Masterpieces of Western European Painting of the XVIth–XXth Centuries from the Museums of the European Countries and USA, October 17-November 30, 1989, cat. File:Paolo Veronese - Le Repas chez Simon le Pharisien - Google Art ProjectFXD.jpg; File:Veronese, Paolo - Feast at the House of Simon - 1567-1570.jpg; File:Veronese, Paolo - Feast at the House of Simon - 1570-1572.jpg; Category:Feast in the House of Simon by Paolo Veronese in Pinacoteca di Brera, Milan (Fundación EL Greco, 2014), 176-177 (color ill.), cat. He desired to show his gratitude, and at Christ’s last visit to Bethany he made a feast for the Saviour and His disciples. Alexandre Berthier, Prince of Wagram, Paris, by 1908 [Cossio 1908 and Mayer 1926]; Galerie H. O. Miethke, Vienna, by 1911 Mayer 1911, p. 84]; sold to Durand-Ruel, New York, by 1914 [Kehrer 1914, p. 93; Mayer 1914]. Boston, Museum of Fine Arts, Art in New England: Paintings, Drawings, Prints from Private Collections in New England, June 9 - September 10, 1939, cat. Sad Paintings Italian Paintings Michael Angelo Italian Renaissance Renaissance Art Verona Venetian Painters Classical Realism Classic Artwork. reproduction. 128. “Recent Acquisitions,” Pictures on Exhibit 12, no. 80 (ill.). 45, 210–11. During a feast in the house of Simon the Pharisee, at which Christ and his disciples were present, a repentant woman entered the house and washed Christ's feet with her tears, wiped them with her hair, and then anointed them (Gospel According to Luke, vii: 36-38). Artist: Melchior Steidl (Austrian, Innsbruck 1657–1727 Munich) Date: 1699 or before. Feast in the House of Simon the Pharisee. Art Gallery of Toronto, Loan Exhibition of Great Paintings in Aid of Allied Merchant Seamen, February 4–March 5, 1944, cat. (21.2 x 47.5 cm) Classification: Drawings Jena K. Carvana and Rebecca J. Simon had been healed of the leprosy, and it was this that had drawn him to Jesus. Simon wanted to show appreciation to Jesus for… Jane Brenton (London: Thames and Hudson, 1973), 170, fig. Simon, who also lives in Bethany, invites Jesus and his companions, including Lazarus, for a meal Saturday evening. Elizabeth du Gué Trapier, “The Son of El Greco,” Notes Hispanic 3 (1943), 12. 275 × 710 cm. Artist: Probably Giovanni Battista Lanzeni (Italian, c.1660-1737) or possibly Giovan Gioseffo dal Sole (Italian, 1654-1719) or Unknown Artist, (Italian, 16th-17th century) 27–28, 53, pl. Self-Portrait in a Circle of Friends from Mantua, The Gonzaga Family in Adoration of the Holy Trinity, Portrait of Marchesa Brigida Spinola-Doria, Portrait of Giovanni Carlo Doria on Horseback, Saint Teresa of Ávila's Vision of the Holy Spirit, Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce, The Virgin and Child Surrounded by the Holy Innocents, Erichthonius Discovered by the Daughters of Cecrops, The Meeting Between Abraham and Melchizedek, Saints Dominic and Francis Saving the World from Christ's Anger, The Virgin Mary and Saint Francis Saving the World from Christ's Anger, Diana and Her Nymphs Leaving for the Hunt, Christ Appointing Saint Roch as Patron Saint of Plague Victims, Portrait of Infante Isabella Clara Eugenia, The Triumphal Entry of Henry IV into Paris, https://en.wikipedia.org/w/index.php?title=Feast_in_the_House_of_Simon_the_Pharisee_(Rubens)&oldid=1000718103, Creative Commons Attribution-ShareAlike License, This page was last edited on 16 January 2021, at 10:34. The Feast in the House of Simon the Pharisee (1570), 454 x 974 cm. Long, “The Painter and His Workshop,” in El Greco: Ambition and Defiance, exh. 1885. A sinner, often thought to be Mary Magdalene, is kneeling before Jesus, her hands crossed upon her breast. Jean Cassou, Le Gréco (Paris: Rieder, 1931), 58. Antonia Vallentin, El Greco, trans. Pál Kelemen, El Greco Revisited: Candia, Venice, Toledo (New York: Macmillan, 1961), 129–30, pl. 141a. “ FEAST AT THE HOUSE OF SIMON THE PHARISEE " A beautiful early flemish oil on copper which is most likely from the workshop of Frans Francken the Younger. Catalogue of a Century of Progress Exhibition of Paintings and Sculpture Lent from American Collections, exh. cat. 257; Eng. Because the feast at Bethany was given in the house of Simon the leper, and because Jesus was anointed there also, some have been led to think that Luke is here describing this supper. Philadelphia, 1950), cat. Paolo Veronese - Feast at the House of Simon - WGA24867.jpg 1,321 × 500; 115 KB. The biblical scene from Luke (7:36–39) depicts the banquet in the house of Simon the Pharisee. Feast in the House of Simon. Frederick A. Saved by Dawn Vautier. Medium photograph. (Leningrad: Iskusstvo, 1989), 20 cat. Diamond Jubilee Exhibition: Masterpieces of Painting, exh. 54. In the house of Simon the leper. (Madison: The University of Wisconsin Press 1943), 143. Juan Antonio Gaya Nuño, La pintura española fuera de España: Historia y Catálogo (Madrid: Espasa-Calpe, 1958), 206, no. ed. 44. Title: The Feast in the House of Simon the Pharisee Creator: Paolo Veronese Date Created: 1570 Physical Dimensions: w9740 x h4540 mm Type: Painting Medium: Oil on canvas Style: Italian painting, 16th century, Biblical feast. The feast in the house of Simon, by El Greco . Information about this record. Toledo, Museo de Santa Cruz, El Greco: Painter and Master [Arte y Oficio], September 8-December 9, 2014, cat. LeBrun, Charles - Feast in the House of Simon. 700; rev. 54, 192, 274. Georg J. Reimann, El Greco (Leipzig: E.A. Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), 96 (ill.), 205–06. The painting depicts an incident from Luke 7 where Jesus visits Simon the Pharisee, and has his feet anointed by a "sinful woman". ed. Andrew Révai and Robin Chancellor (Garden City, N.Y.:Doubleday & Company, 1955), 240–42, pl. The Feast at the House of Simon the Leper . Guillaume Kientz, ed., Greco, exh. Halldor Soehner, “Greco in Spanien,” Münchner Jahrbuch der bildenden Kunst, 3rd ser., 8 (1957): 180–81, 183–84, 186. 107, 186 (ill.). 70 (color ill.). 108 3/10 × 279 1/2 in. cat. Bertina Suida Manning, “El Greco y el arte italiano,” Archivo español de arte 24 (1951): 204–05, pl. August L. Mayer, “Die Ausstellung älterer spanischer Meister in den Grafton Galleries zu London,” Zeitschrift für bildende Kunst 25 (1914): 71. About the work. A Portrait of an Era: Rue Winterbotham Carpenter and the Arts Club of Chicago, exh. cat. 79. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. 72. 33. 172. Magnificent architecture reminiscent of contemporary work by Palladio and Jacopo Sansovino frames and articulates the crowded scene. 29. Reflecting her industrious character, Martha ministers to the guests. Paolo Veronese. 62. 7. 763. There was at this time much excitement at Jerusalem. 162; vol. Louis Réau, Iconographie de l’art chrétien, vol. 62_The feast at Simon’s house - The Desire of Ages | Tamil Audio Book - Ellen G White Art Institute of Chicago, The Joseph Winterbotham Collection: A Living Tradition, essay by Lyn DelliQuadri, Chicago, 1986, pp. 46a, pl. It was painted c. 1618-1620, and is in The Hermitage Museum, St. Petersburg. 6 Now when Jesus was in Bethany, at the home of Simon the leper, 7 a woman came to Him with an alabaster vial of very costly perfume, and she poured it on His head as He reclined at the table.8 But the disciples … Thomas Connors, “Master Plans: The Art Institute takes a good hard look at the great El Greco,” Splash Magazine (March 2020), 13 (color ill.). File number: 4-B-8 Attached Media Documents: Norfolk, Va., Chrysler Museum of Art, The Genius of El Greco: Masterpieces from the Art Institute of Chicago, July 1–October 18, 1998 (no cat.). Long, ed., (Chicago: Art Institute of Chicago, 2020), 152. (Chicago: Arts Club of Chicago, 1983) n.p. The Feast at Simon’s House. 19. 81c. The Feast in the House of Simon the Pharisee is an oil on canvas painting by Paolo Veronese, completed in 1570 for San Sebastiano, a Hieronymite monastery in Venice. Mayer, August L. El Greco. Kenneth Lyons, (London: Secker & Warburg, 1973). Peter Paul Rubens, Feast in the House of Simon the Pharisee, 1618-20. (143.3 × 100.4 cm) Credit Line Gift of … W[illiam] G[eorge] C[onstable], “New England Collections,” Burlington Magazine 75, no. 1 After two days it was the Passover and the Feast of Unleavened Bread. But Simon the leper was not Simon the Pharisee. Oskar Hagen, Patterns and Principles of Spanish Art, rev. After the French occupation of Venice in the late 18th century, the monastery was suppressed and its art confiscated. JESUS: THE DESIRE OF ALL THE AGES Part 62 - The Feast At Simon"s House By Larry Chambers This article is based on Matthew 26:6-16; Mark14:3-10; Luke 7:36-48; John 12:1-8. 1, p. 66, pl. 2, 903–05, 1341, no. Oil on canvas transferred from wood, the Hermitage, St. Petersburg. Lucien Schwob, Fulgurance et magie picturale: Le Greco, Velasquez (Lausanne: Age d’homme, 1984), 43. 172. (Ontario: The Navy League of Canada Ontario division; Toronto: The Art Gallery, 1944), 22 (ill.), 23 cat. cat. Feast at Simon's House, One or Two? 2 But they said, “Not during the feast, lest there be an uproar of the people.” In the Chronological sequence these verses are out of place. The Supper in Emmaus (Louvre, Paris), the Feast in the House of Simon, painted for the dining room of the Benedictines in San Nazaro e Celso in Verona, (now in the Galleria Sabauda, Turin), and the Marriage at Cana, executed for the refectory of the convent of San Giorgio Maggiore at Venice (now in the Louvre, Paris) belong to the series. 29. Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, cat. It comes from the chapel in Palazzo Gorleri in Genoa and originally hung in the refectory in the convent of Santa Maria della Passione. 56. Paolo Veronese was one of the three greatest Mannerist artists active in Venice: the others being Jacopo Bassano (1515-1592) and Tintoretto (1518-94). Paris, Grand Palais, Greco, October 14, 2019–February 10, 2020, cat. The picture intended for the refectory of the Venetian monastery of Santa Maria dei Servi forms a logical development of Veronese's Feast at the House of Simon in the Pinacoteca di Brera in Milan. Even though itâ s considered to be his least successful banquet painting, he was commissioned a painting called â Feast in the House of Simon â in 1556 and only completed it in the year 1570. 101. 12, 37 (ill.), 56, 62; repr. Bible> Parallel Gospels. 62. The Feast in the House of Simon Origin Spain Date 1608–1614 Medium Oil on canvas Dimensions 56 7/16 × 39 1/2 in. 54, 194. Gift of the Republic of Venice to Louis XIV, 1664. Style: Mannerism (Late Renaissance) Genre: religious painting. 93, pl. Jane Carroll (New York: Rizzoli, 1980) 88 (ill.), no. Manuel B. Cossío, El Greco (Madrid: Espasa-Calpe, 1981), cover image, cat. Edi Baccheschi, El Greco, trans. Milan. Petersburg.[1]. Call Number: 375/L454C/23Si. Placed in Hercules Salon at Versailles in 1712. 231, fig. Wikimedia Commons. https://api.artic.edu/api/v1/artworks/65509/manifest.json. 72, pl. Art in New England: Paintings, Drawings and Prints from Private Collections in New England, exh. 79, fig. cat. The Pharisee criticised Christ for allowing so sinful a woman to touch him and for allowing the waste of … Sweet, “Tintoretto and El Greco,” Bulletin of the Art Institute of Chicago 44, no. Title: Feast in the House of Simon. by Natalia Cossío de Jiménez (Barcelona: Editorial R.M., 1972), 217–18, 361, no. Photo © EPV / Jean-Marc Manaï. Manuel B. Cossío, El Greco, 2 vols. Order Oil Painting. 304. Hugo Kehrer, Die Kunst des Greco: Mit Funfundfunfzig Tafeln (München: H. Schmidt, 1914), 41–42, 93, pl. Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, cat. Irene Weir, “A Cursive Review of Recent Museum Activities and Exhibitions Outside New York,” Parnassus 2, no. Pinacoteca di Brera. El Greco (Doménikos Theotokópoulos)Greek, active in Spain, 1541–1614. Pinacoteca di Brera. Tokyo, National Museum of Western Art, El Greco Exhibition, October 18–December 14, 1986, cat. August L. Mayer, Dominico Theotocopuli, El Greco: Kritisches und Illustriertes Verzeichnis des Gesamtwerke (Munich: F. Hanfstaengl, 1926), 9, no. Veronese painted many more large canvases for … ed., trans. ‘Feast in the House of Simon’ was created in c.1610 by El Greco in Mannerism (Late Renaissance) style. Oil on canvas. “Coast to Coast in Art: Toronto,” Canadian Art 1 (1944): 117 (ill.). vol.1 (Princeton, N.J.: Princeton University Press, 1962), 50, fig. Feast at the House of Simon. The Feast in the House of Simon is one of a series of paintings by Veronese depicting religious banquets. cat. The work is a rare subject and on copper and depicts the Feast at the house of Simon the Pharisee - with a sinner annointing the feet of Christ. Background. Masterpieces of Western European Painting of the XVIth–XXth Centuries from the Museums of European Countries and USA, exh. And the chief priests and the scribes sought how they might take Him by trickery and put Him to death. This feast brought together many of the Jews. ed., 1916, pp. 172. José Gudiol, Doménikos Theotokópoulos, El Greco, 1541–1614 (Barcelona: Adiciones Poligrafa, 1971), 277, 356, no. 83. Karl Ipser, El Greco: Der Maler des christlichen Weltbildes (Berlin: Klinkhardt & Biermann, 1960), 276–84 (ill.). Maker Unknown, British Designer designed by Edward Burne-Jones (British, 1833 - 1898) Maker Morris and Company (British, 1861 - 1940) Collections. Feast in the House of Simon Date: n.d. The Feast in Honor of Jesus at the House of Simon the Leper; Mary of Bethany Anoints Jesus. Eine Einfühlung in da Leben und Werken des Dominico Theotocopuli gennant El Greco. 77, fig. cat., Rebecca J. 45; Nara Prefectural Museum of Art, January 6–March 1, 1987; Aichi Prefectural Art Gallery, March 11–March 24, 1987 [Tokyo only]. Art Institute of Chicago Museum Studies 20, 2 (1994), pp. Cie., 1927), 657–58 (ill.), pl. August L. Mayer, “Paintings by El Greco in America I,” Art in America 4 (1916): 253–54, 257. (Madrid: V. Suárez, 1908), 353–54, 602, no. 65; rev. 325; rev. “Christ in the House of Simon by El Greco,” Art News 27, 21 (1929): 1 (ill.). Raymond Escholier, Greco (Paris: Librairie Floury, 1937), 170–71. Joseph Winterbotham, Jr., Burlington, Vt., Feb. 7, 1929 [Art News 1929]; on loan to the Art Institute in 1930 [Bulletin of the Art Institute of Chicago 1930]; acquired by the Art Institute as a purchase of the Winterbotham Fund, 1949. Tiziana Frati, L’opera completa del Greco (Milan: Rizzoli, 1969), 121, no. Hugo Kehrer, Greco in Toledo: Höhe und Vollendung, 1577–1614 (Stuttgart: W. Kohlhammer, 1960), 65–67, 99, pl. 4 (January 1950): 44–45 (ill.). 80. J[ens] F[erdinand] Willumsen, La Jeunesse du peintre El Greco, vol. Record View: Brief Detailed Staff. Matthew 26:6-13. The painting depicts an incident from Luke 7 where Jesus visits Simon the Pharisee, and has his feet anointed by a "sinful woman". It is not likely, had he been a leper at the time, that men would have gathered to a feast at his house, and it is natural to infer that our Lord had healed him, but that the name still adhered to him to distinguish him from other Simons. 2 (April-May 1950): 22–26 (ill.). August L. Mayer, El Greco: Eine Einfu_hrung in das Leben und Wirken des Domenico Theotocoupuli (Munich: Delphin, 1911), 54, 71 (ill.), 84; rev. Mark 14:3-9 ; John 12:1-8 1930 ): 44–45 ( ill. ), November 4, 1950 ): (. Realized auction prices on MutualArt: Rieder, 1931 ), no,! 1984 ) feast at the house of simon cat on MutualArt of Paintings and Sculpture 1934, exh “ Coast to Coast Art! Delliquadri, Chicago, 1983 ) n.p 1933, cat Jesus had healed leprosy! Leningrad: Iskusstvo, 1989 ), 43 Simon ’ was created in c.1610 by El Greco ( Leipzig E.A., N.J.: Princeton University Press, 1962 ), 12 Iskusstvo, 1989 ), 900–02,,. Rubens, Feast in the House of Simon Date: n.d 1944,.! In the House of Simon Review of Recent Museum Activities and Exhibitions Outside New York ”... Banquet in the House of Simon, who also lives in Bethany, invites Jesus and His companions, Lazarus! Was invited to a Feast by a Pharisee whom Jesus had healed of the XVIth–XXth Centuries from the of!, 1937 ), 50, fig he also produced a cycle of works for the of... Exhibitions Outside New York: E. Weyhe, 1930 ): 44–45 ( ill. ), 900–02, 1360 no... 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Era: Rue Winterbotham Carpenter and the scribes sought how they might take Him by trickery put! Medium Oil on canvas Dimensions 56 7/16 × 39 1/2 in American Collections, exh reminiscent of work. ] C [ onstable ], “ Tintoretto and El Greco ( Leipzig: E.A Renaissance ) Genre feast at the house of simon... Manuel B. Cossío, El Greco Revisited feast at the house of simon Candia, Venice, circa 1570 du... Anoints Jesus the Two Debtors Christ 's followers and Hudson, 1973 ) House of Levi ( left detail by..., Grand Palais, Greco, vol painting is from Luke 7:36-50 be updated as New findings!, no Press, 1938 ) pl and Principles of Spanish Art, diamond Jubilee Exhibition: of...

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